Selected Solo Exhibitions
| 2006 | Terra Incognita: Anne Slaughter, Forty Years,Second Street Gallery, Charlottesville, VA ( Full-color catalogue available) |
| 2001 | Lost Writings, Troyer Fitzpatrick Lassman Gallery, Washington, DC |
| 1999 | Fields of Memories,McGuffey Art Center, Charlottesville, VA |
| 1998 | Effacements: Fading Memories, Troyer Fitzpatrick Lassman Gallery, Washington, DC |
| 1997 | Paintings, Troyer Fitzpatrick Lassman Gallery, Washington, DC (two-person) |
| 1996 | Lost Messages, Bivins Gallery, Duke University, Durham, NC |
| 1995 | The Memory of Walls, Troyer Fitzpatrick Lassman Gallery, Washington, DC |
| 1994 | Violence: The Aftermath (installation), Daryl Reich Rubenstein Art Gallery, Sidwell Friends School, Washington, DC |
| 1993 | Violence: The Aftermath, McGuffey Art Center, Charlottesville, VA Paintings, Miroir d’Encre, Brussels, Belgium White Patterns, McGuffey Art Center, Charlottesville, VA |
| 1992 | Masada Series,Piedmont Virginia Community College, Charlottesville, VA |
| 1991 | Vestiges, ARC Gallery, Chicago, IL From the Sahara, McGuffey Art Center, Charlottesville, VA |
| 1990 | Vestiges, McGuffey Art Center, Charlottesville, VA |
| 1987 | Ancient Landscapes, Gallery IV, Alexandria, VA |
| 1986 | Earth Fragments, McGuffey Art Center, Charlottesville, VA |
| 1985 | Collages, McGuffey Art Center, Charlottesville, VA |
| 1984 | Arid Landscapes, McGuffey Art Center, Charlottesville, VA |
| 1983 | Sere Landscapes, Emerson Gallery, McLean, VA New Works, Galerie l’Angle Aigu, Brussels, Belgium |
| 1980 | Landscapes and Collages, Galerie l’Angle Aigu, Brussels, Belgium |
| 1979 | Recent Works, Downtown Library Gallery, Roanoke, VA Invitational, Babcock Gallery, Sweet Briar College, Lynchburg, VA |
| 1978 | Landscapes,McGuffey Art Center, Charlottesville, VA |
| 1976 | Landscapes,McGuffey Art Center, Charlottesville, VA |
Selected Group Exhibitions
| 2006 | Alumni Show, McGuffey Art Center, Charlottesville, VA WPA/Corcoran Select, Corcoran Gallery of Art, Washington, DC (co-curator: Sally Troyer) |
| 2005 | Faces of the Fallen, National Memorial for Women in the Military, Arlington, VA WPA/Corcoran Select, Corcoran Gallery of Art, Washington, DC The Family of Law, University of Virginia Law Library, Charlottesville, VA |
| 2003 | 30 Years: Three Decades of New Art at Second Street Gallery, Second Street Gallery, Charlottesville, VA Summer Show, Troyer Art Gallery, Washington, DC |
| 2002 | 9.11.01 Reflection, part II, Fayerweather Gallery, University of Virginia, Charlottesville, VA Wintergarden, Les Yeux du Monde, Charlottesville, VA Fold Here: 3D Paper Sculptures, Ellipse Art Center, Arlington, VA |
| 2001 | Through the Looking Glass: Celebrating the Octagon’s Bicentennial, The Octagon, Washington, DC (Curator: Vivienne Lassman) 10+10 American and Italian Artists: The Sea, The Color of Wine, Scudere Medicee, Poggio a Caiano, Italy |
| 2000 | Moving into the Millenium: Darkness, Les Yeuxdu Monde, Charlottesville, VA Virginia Connections, 1708 Gallery, Richmond, VA |
| 1999 | University of Virginia Law Library, Charlottesville, VA Myth, Memory and Imagination: Selections from the Collection of Julia J. Norrell, McKissick Museum, University of South Carolina, Columbia, SC Get Surreal: Reviving the Exquisite Corpse, Second Street Gallery, Charlottesville, VA |
| 1997 | Juried Show, 1708 Gallery, Richmond, VA (Juror: Donald Kuspit) |
| 1995 | Totems & Icons, Crestar Bank, Richmond, VA (Curator: Georgia Coopersmith) |
| 1994 | Artemis XVII (traveling exhibition), Washington & Lee University, Lexington, VA Artemis XVII (traveling exhibition), Roanoke College, Salem, VA Winners of Juried Exhibition 1993, Greater Reston Art Center, Reston, VA Commissions, Troyer Fitzpatrick Lassman Gallery, Washington, DC |
| 1993 | Ephemerides, Miroir d’Encre Art Gallery, Brussels, Belgium American Art Alumni Collection, McCormick Museum, Princeton University, Princeton, NJ (Juror: Thomas Hoving) Explorations, Troyer Fitzpatrick Lassman Gallery, Washington, DC Ecritures, Miroir d’Encre Art Gallery, Brussels, Belgium |
| 1992 | Peninsula Fine Arts Center Juried Exhibition,Peninsula Fine Arts Center, Newport News, VA (Juror: Neal Benezra) |
| 1991 | Ephemerides, Miroir d’Encre Art Gallery, Brussels, Belgium Select, James Madison University, Harrisonburg, VA (Juror: Julia Boyd) |
Corporate and Public Collections
|
University of Virginia Art Museum Art Museum of Western Virginia CSX Corporation Suez Energy International Trammel Crowe Corporation University of Virginia Hospital Shenandoah Life Insurance Co. University of Virginia Law School McGuire Woods SunTrust Bank Hunton & Williams Central Fidelity Bank-Virginia Collection Akin & Gump Bank of Virginia Dickstein Shapiro & Morin The World Bank Julia Norrell Collection |
Awards and Fellowships
| 1995 | Fellow, Virginia Center for the Creative Arts, Sweet Briar, VA |
| 1993 | Award of Honor, Environmental: Peninsula Fine Arts Center Juried Exhibition, Newport News, VA (Juror: Susi Gablik) Certificate of Distinction, Greater Reston Art Center Juried Exhibition, Reston, VA (Juror: Jeremy Strick) |
| 1975 | Purchase Award, Shenandoah Life Insurance Company, Virginia Museum of Fine Arts Regional Juried Exhibition, Roanoke Fine Arts Center, Roanoke, VA (Juror: Roy Slade) |
Selected Bibliography
| 2006 | Stoddard, Leah. “Terra Incognita and the Intuitive Archeologist” Catalogue Terra Incognita - Anne Slaughter 40 Years 2006) Troyer, Sally, “Anne Slaughter : Layers of Emotion&rdquo Catalogue : Terra Incognita - Anne Slaughter 40 Years (2006) Lassman, Vivienne. “Nature Laid Bare: Anne Slaughter's Artistic Journey&rdquo Catalogue : Terra Incognita - Anne Slaughter 40 Years (2006) Latter, Ruth. “Memories of War Reflect on Canvas&rdquo Daily Progress (March 16, 2006): D1 Maurer, David. “Solid Perfection” Daily Progress (April 9, 2006): C1 Laura, Parsons. “Recollection: Slaughter's Sentimental Nature” The Hook (April 13, 2006): 44 Michael, Alexander. “Terra Incognita 40 Years of Anne Slaughter” Albemarle Magazine (April/May 2006): 20 |
| 2005 | "Corcoran Gallery of Art, Washington, DC: Michael Fitts and Anne Slaughter, March 2005," Albemarle Magazine (February/March 2005): 24. |
| 2001 | O'Sullivan, Michael. "A Tale of Two Houses," The Washington Post Weekend (February 9, 2001): 55. |
| 2000 | Goodwin, Lauren. “Anne Slaughter: A True World Artist,” Southern Accents (March/April 2000). www.southernaccents.com/art/slaughter/asp Kramer, Jennifer. “Memories Redux,” Southern Accents (March/April 2000): 94-97. |
| 1999 | Latter, Ruth. “Colorful Contemporary Figures,” The Daily Progress (July 22, 1999): D1. |
| 1998 | Protzman, Ferdinand. “Reflections on Memory,” The Washington Post (October 24, 1998). Wall, Donna Dorian. “Paper Chase,” Southern Accents (May/June 1998): 122. |
| 1997 | Protzman, Ferdinand. “Bronze and Ochre,” The Washington Post (February 1, 1997): C2. Bates, Anne. “Must Sees,” Ken ODA’s Art Newsletter (February 1997): 19. |
| 1995 | Protzman, Ferdinand. “Memories That Walls Can Reveal,” The Washington Post (December 2, 1995): C2. Rotner, Sheilah. “Must Sees,” Ken ODA’s Art Newsletter (December 1995): 18. |
| 1994 | Atkinson, Linda. Artemis XVII,Roanoke, VA (March 1994). Weinstein, Ann. “Art inView,” The Roanoke Times (February 1994): 11. |
| 1993 | Purvis, Mike. “Art Reviews,” Washington Review (October/November 1993): 17. Fleming, Lee. “When the Spirit is Thrilling,” The Washington Post (July 10, 1993): D2. Latter, Ruth. “Slaughter’s ‘Violence’ Leaves Room for Healing,” The Daily Progress (June 17, 1993): D1. Margulies, Stephen.“Review: Exhibition,” The Daily Progress (June 10, 1993). O'Sullivan, Constance Lord. Environmental: Peninsula Fine Arts Center Juried Exhibition, Newport News: Peninsula Fine Arts Center, 1993. [exhibition catalogue] |
| 1992 | Latter, Ruth. “McGuffey,” The Daily Progress (December 1992): D4. Mook, Bea. “Ancient Legacy Flowers at PVCC,” The Daily Progress (September 14, 1992): 2. O’Sullivan, Constance Lord. Peninsula Fine Arts Center Juried Exhibition, Newport News: Peninsula Fine Arts Center, 1992. [exhibition catalogue] |
| 1990 | Latter, Ruth. “Styles Vary, but Artists Mirror Human Experience,” The Daily Progress (April 14, 1990): 3. Latter, Ruth. “Slaughter Exhibit Rich, Inspirational,” The Daily Progress (May 1988). Clark, William. The William and Mary Review, vol. 26, no. 1, 1988. |
| 1987 | Latter, Ruth. “Landscapes Reshaped by Artist,” The Daily Progress (September 27, 1987). |
| 1986 | "McGuffey Exhibit," The Daily Progress (November 23, 1986): E4. Latter, Ruth. "Emotions Overflow Downtown," The Daily Progress (April 14, 1985): D3. |
| 1984 | "Art Center to Display Landscapes," The Daily Progress (October 6, 1984): 3. Latter, Ruth. "Decorative Banners Again a Popular Art Form," The Daily Progress (July 1, 1984): F6. Ripe, Peter. 1984 Roanoke Biennial, Roanoke: Roanoke Museum of Fine Arts, 1984. [exhibition catalogue] |
| 1983 | "Galerie l'Angle Aigu Review," Le Soir (October 1983). |
| 1982 | Latter, Ruth. "Art Exudes Calm Atmosphere," The Daily Progress (May 16, 1982). |
| 1979 | "Art for All," Roanoke Times and World-News (February 4, 1979). |
| 1978 | "McGuffey Exhibit," The Daily Progress (June 25, 1978). |
| 1976 | Latter, Ruth. "'Good Views' Interest Artists," The Daily Progress (June 13, 1976): E11. |
| 1975 | Hathaway, Walter. Roanoke Fine Arts Center Juried Artists Exhibition 1975, Roanoke: Roanoke Fine Arts Center, 1975. [exhibition catalogue] |